The Echo of a Face

What good is all the freedom in the world if it doesn’t come with an awareness of the gift that it is?
— Ana De Haro
Ana De Haro ENGLISH - The echo of a face
Ana De Haro ESPAÑOL - El eco de un rostro
Ana De Haro ITALIANO - L'eco di un volto

Ana De Haro - Mid-lesson on Locke, a teacher stops cold — one face turns liberty into a question.

I looked at my students and, right there in the middle of class, I let half a minute of silence fall. I didn’t explain it. I didn’t give a reason. I couldn’t go on, and I couldn’t pretend nothing had happened. So I gave myself a moment to sit quietly with what I was feeling.

A few weeks ago I was teaching Locke and read this line of his aloud: “But though this be a state of liberty, yet it is not a state of licence.” I haven’t been able to get it out of my head since.

Locke — the great defender of an untouchable freedom, of what he takes to be an inviolable natural right — spells out in his Second Treatise of Civil Government that what he defends is a state of liberty, not of license. I already knew the text well when I brought it to my students and we read it together. I had read it, studied it, chosen it carefully. I had an explanation ready, one meant to help them see that Locke, with these ideas, is the father of liberalism — a word they’ve probably heard, an adjective they may have caught attached to an economic model or to certain social policies. For all its later turns and revisions, liberalism starts with this English gentleman: a man who insisted that no one can strip away the freedom we are born with.

None of that is new, and maybe none of it is even the point. What unsettles me — what keeps pulling me back to that lesson — is what happened inside me. On the third time through the text, reading it aloud (I had already taught it in two earlier classes), I stopped. In a flash, Noelia’s face crossed my mind.

In the passage, Locke describes freedom as a gift from a good God — a gift that asks to be cared for. We are free, but we cannot simply do as we please, because we belong to Him. And as I read it, Noelia came back to me like a stab. A wound that hasn’t healed. A face that, without warning, has become part of my own story — just like that, with no thought or plan behind it. Noelia: that beautiful, free girl, loved, perhaps without even knowing it. She was a presence in my classroom.

That day I didn’t know how to show my students how far today’s liberalism has drifted from what Locke proposed — how, for him, freedom and its defense were always bound to the awareness of a gift that comes first. I stood there in silence. Many of my students are foreigners. They live in Spain, but they don’t know who Noelia is: the girl who reached the hearts of so many Spaniards, whatever each of them thought about euthanasia. I couldn’t explain why I had faltered. I didn’t know how to hand them a grief that isn’t only mine — and I didn’t want to. I didn’t want her to turn into one more card to play in an ideological argument.

I didn’t want to use her to illustrate the mistake of confusing freedom with license. I looked at my students and, right there in the middle of class, I let half a minute of silence fall. No explanation, no reasons. I couldn’t go on. I couldn’t pretend nothing had happened. So I gave myself a moment to quietly accept that reaction of mine.

That hesitation, that pain, that unhealed wound have stayed with me ever since. The British would call it a glitch in the run of the lesson — a brief paralysis. And I’ve come to see that the interruption I’m describing has taken root in me. Lately I keep returning to it: to the pain, and to the stinging question that, oddly, still presses on me today. What good is all the freedom in the world if it doesn’t come with an awareness of the gift that it is?

Fernando De Haro

Fernando de Haro is a Spanish journalist, academic, and radio director at COPE. With degrees in journalism, law, and a PhD in information science, he's known for documentaries on Christian persecution. De Haro explores religion's role in society through his media work and publications, including a book on Don Giussani's life.

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