The Only Pointing Finger that Creates

When man points the finger, he does so to destroy rather than to create, to reaffirm boundaries rather than to welcome, to shut out rather than to embrace — only God’s pointing finger generates life.
— Simone Riva
The only pointing finger that creates.
Simone Riva

Simone Riva - The only pointing finger that creates.

In recent days, we have seen scaffolding erected inside the Sistine Chapel for the restoration of Michelangelo's Last Judgment. It is a place no stranger to the world's attention, both for the art it houses and for the decisive moments in the life of the Church that take place within it. If we raise our heads toward the ceiling, we see the famous touch of God's finger giving life to Adam. The Creator's finger is energetically extended toward man, who, on the other hand, is shown lying down, in the posture of one who can only receive what he cannot generate: himself. Action and energy are all on God's side. After all, even Christ in the Last Judgment is an explosion of power, as if wrestling with an entirely new creation. Michelangelo has made the roles of the Creator and creatures very clear, leaving no room for confusion. The only force that creates and the only pointing finger that generates are those of God.

To defend this divine prerogative, in today's first reading, the prophet Isaiah warns: "If you remove from your midst oppression, finger-pointing, and ungodly speech, if you offer yourself to the hungry, if you satisfy the needs of the afflicted, then your light will shine in the darkness, your darkness will be like the noonday sun" (Is 58:9–10). In fact, we are always tempted to put our finger in the place of the Creator's, as Pope Francis so aptly described: "Even in our religiosity, the worm of hypocrisy and the vice of pointing fingers can creep in. At all times, in every community. There is always the danger of misunderstanding Jesus, of having his name on our lips but denying him in our actions. And this can also be done by raising banners with the cross" (Apostolic Journey to Malta, from the homily of April 3, 2022).

We know well, even if we forget it, that when man points the finger, he does so to destroy rather than to create, to reaffirm boundaries rather than to welcome, to shut out rather than to embrace. It is the delirium of those whose personality, weakened and hollowed out by power, can no longer conceive of themselves apart from the role they have managed to seize. The first effect of this anticipated hell is a total disconnect from reality, which follows the opposite movement to that of God's creative finger — its opposite, the mirror. This leads us to think that everything begins and ends with us, now that we have become the measure and criterion of all things and all people, self-appointed masters of the house who never truly were.

Even the apostles had to face this temptation, as the Gospel recounts without shame: "John said to him, 'Teacher, we saw someone casting out demons in your name, and we tried to stop him, because he was not one of us.' But Jesus said, 'Do not stop him, for no one who does a miracle in my name can soon afterward speak evil of me. Whoever is not against us is for us'" (Mark 9:38–40).

There is an alternative to the mirror. Pope Leo XIV outlined it when he met with members of the Orthodox Churches on February 5: "When we eliminate the prejudices we have within ourselves and disarm our hearts, we grow in charity, collaborate more closely, and strengthen our bonds of unity in Christ. In this way, Christian unity also becomes a leaven for peace on earth and the reconciliation of all."

For this disarming of the heart to be truly possible, we need to be so intimate with God's creative finger that cunning becomes impossible. In this regard, I was struck by something that happened at school this week. I am outside the classroom I am about to enter. The bell rings for the change of class and a boy comes out. He comes up to me and we start talking about this and that. Suddenly, he changes the subject and asks me how the path to becoming a priest is structured. As I am answering him, he interrupts me and says, "But you, professor, what do you really believe in?"

We enter the classroom and the whole lesson is marked by the intensity of that question asked suddenly, in the corridor, as if nothing had happened, in the middle of the school morning. This is the method of the finger of God: it does not wait for circumstances to be settled and in order, but happens when it happens. It is a training ground that strips away suspicion and fear, puts you in a position to learn from anyone, does not surround you with "yes men," but rather delights in every single step of maturity, both your own and that of others. That is why it is better that only God points the finger — because when we point the finger at someone, we should remember that three of our own fingers are pointing right back at us.

Simone Riva

Don Simone Riva, born in 1982, is an Italian Catholic priest ordained in 2008. He serves as parochial vicar in Monza and teaches religion. Influenced by experiences in Peru, Riva authors books, maintains an active social media presence, and participates in religious discussions. He's known for engaging youth and connecting faith with contemporary

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The Sparkle in His Eyes.

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Beyond Emptiness